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Harrisburg Hip Hop Debate

 

 

“All About Bridging the Gap in Hip Hop Culture”

Hip Hop was formed in an economic struggle that gains over a billion dollars per year. Through the financial up-bring in Hip Hop many artist only seen maybe 1% of the profit. It will take at lease 10 years as a sign artist to become a millionaire and still owning their labels a percentage of their profit.

Hip Hop and its elements has been replaced with Violence, Ego-Tripping,verbal and physical attack on one another.
Male Rap Artist showing off their Overly Masculinity and anger issues towards Black Woman as Black Woman are expressing their anger towards one another.

The Birth of Hip Hip was around the 1970’s in the South and West Bronx. The culture has spread throughout the country as many incorporated their own platform. Hip Hop timeline between 1970 through 1989 have given the voice of freedom, hope and encouragement as it fought against the Oppression, Violences and Racism.

In the mid 90’s the sound of Social Consciousness had vanished. Drugs, Money and Violence had become the new trend called “Gangsta Rap”. The Back Pack Emcees still dominated The Underground Movement but the main focus was to keep the Gangsta’ sound as the primary voice of the culture. Radio Stations had begun to program music in replace of the Dj’s. Record labels had paid radio stations to promote a certain song in heavy rotation around a certain hour of the day in difference Urban Demographic Areas.

In the 2000 /Millennium, the social Media and internet gave many artist a freedom to promote their music. Youtube gave many viewers a visual on the variety of music and sounds worldwide. But also gave an insight and un-sensor on the violence and brutal attack in the Black Community through their music. As many weight in about Hip Hop and Violences there is a group defending the controversy saying its art.

Hip Hop and Rap Music have always influence the black culture whether their dealing with depression or tap into the spirit to wild-out. Hip Hop and Music which its to separate entity has always unified all elements as a form of Peace. On May 20, 2017 in the awake of Hip Hop Appreciation Hip Hop Education will host the 1 Annual Hip Hop Debate. The panelist of Young and Older Hip Hop Artist of all elements who have different views on the state of Hip Hop and the influences on today’s generation will debate of the issues and create a solution.

Hip Hop Debate Part 1
Topics:
Who’s your Boss?
Lawsuit Artist are facing when fighting to become independent.
Should Rappers be held Accountable for their violence lyrics?
Is Mumbling Rap Acceptable or UnAcceptable?
The Un-Expectance of Dark-Skin Woman.
Don’t Blame Hip Hop for the violence in the community.
Bridging the Gap

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SisHer In Hip Hop Martha Diaz

Its tough being apart of a Male Dominated movement were you have to compete vocally towards another female Emcee by trashing and dragging her through the mud. Battling is the part of Hip Hop Culture however female Emcees are encourage to attack then to display their lyrical skills.

Females in Hip Hop represent more then music they represent a movement of Emcees, Dancers, Graffiti Writers, Dj’s, Educators, Activist, Philosopher, Professors, Psychologist, Therapist, and more.

Today we Celebrate our Hip Hop SisHer, Our Queen: Martha Diaz

Martha Diaz is the founder of the Hip-Hop Education Center. She’s an award winning community organizer, social entrepreneur, media producer, archivist, curator, and professor at New York University. For two decades, Diaz has traversed between the hip-hop entertainment industry, non-profit sector and academia. She has worked on Hollywood productions and produced TV shows, documentaries, music videos, and PSA’s. Diaz served as the executive director of the Hip-Hop Association, where she produced and curated the Hip-Hop Odyssey International Film Festival and Hip-Hop Education Summit.

In 2010, Diaz founded the Hip-Hop Education Center, housed at NYU’s Metropolitan Center for Research on Equity and the Transformation of Schools, to cultivate and professionalize the field of hip-hop-based education. She is co-editor of the Hip-Hop Education Guidebook, Vol. I (Hip-Hop Association, 2007) and Rebel Music: Resistance Through Hip Hop and Punk (Information Age Publishing, 2015). Among her fellowships and residencies, Diaz served as resident of NJ Performing Arts Center’s Alternate Routes Program, Fellow at NYU Reynolds Program for Social Entrepreneurship, Senior Fellow at the Lemelson Center for the Study of Invention and Innovation – National Museum of American History, and Hip-Hop Scholar at the Schomburg Center for Research in Black Culture – NY Public Library. In 2014, Diaz was appointed as Columbia University Community Scholar, where she collaborates with the Institute for Urban and Minority Education and the Center for Justice. Her most recent media project is the award winning NAS: Time Is Illmatic documentary. Diaz is a Cabinet Member of the U.S. Department of Arts and Culture, a citizen-led, policy-oriented leadership group.

 

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Hip Hop Debate (Harrisburg PA)

COMING 2017

The question is who’s right or wrong? Everyone opinion matters but the question is who have the actual facts?

Hip Hop Debate Part 1 will feature a panelist of Young and Older Hip Hop Artist of all elements who have different views on the state of Hip Hop and the language of todays Artist.

*Hip Hop Debate part 1 Topics:

  • Is Nigga-ology the cause of Violence or Rap Lyrics?
  • Who’s your Boss?
  • Is Mumbling Rap acceptable or UnAcceptable?
  • Masculinity in Hip Hop.

 

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The 90’s Comeback

 

His style is vintage 1980’s/1990’s hip hop. He decided to bring this style back because he believes that the style was more created than it was bought. Jalen believes that a style should be more “created” and not “bought” meaning that anybody can buy something and just wear it but it’s not their own style, but if you buy a jacket and customize it to fit your personal taste then it becomes an original style. He also believes that the vintage hip hop look best represents being free and rebellious. The style mostly reflects the around-the-way homeboy who don’t like to spend so much money for one outfit but keep it cheap and simple and lastly, it’s Black fashion. The high top is an homage to all the hip hop legends who rocked it before and it represents embracing your own hair, no matter what it looks like.

Jalen “Jay-Doggz” Hemphill is a 22 year old aspiring singer/songwriter, dancer, DJ, actor, hip hop enthusiast and blogger from the South Bronx. His love for music and entertaining started when he was 2 but he didn’t decide to take it seriously until he was 14. He is currently a student at Hostos Community College working towards his associates degree in Liberal Arts and after graduating, he will be working towards his dreams of becoming a professional entertainer.

 

 

Thank you to Slovo Magazine for the Article on Zulu Queen Michele

Thank you Slovo for Interviewing me for Hip Hop History Month.
Hip Hop Magazine SLOVO #23 with an interview of Zulu Queen Michele 

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You Can read the Article in different Language. 

Espanol 
Deutsch
Portugues (Brasil/ Portugal) 
French 
Italiano
Russian 

http://slovomag.com/index.php/magazine/357-qslovoq-23

http://issuu.com/slovomagazine/docs/slovo_23__english_language_